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StudioLive is the most powerful and flexible sixteen-channel digital mixer the world has seen. Loaded with sixteen high headroom XMAX microphone preamplifiers, built-in 22x18 FireWire recording and playback engine, “Fat-Channel” processing with 4-band EQ’s, compressors, limiters and gates, DSP effects, six aux buses, four sub-groups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback and more, breaking new boundaries for music performance and production. Loaded with Racks of Effects
StudioLive is loaded with everything needed for professional live sound production totaling 22 compressors, 22 limiters, 22 gates, 22 high pass filters, 2 stereo reverb/delay’s, 2 31-band equalizers, 2 master stereo limiters and more, saving you loads of money and trips from the trailer during load in/out. All StudioLive digital effects are created and processed with 32-bit floating point precision for maximum sonic performance and enhanced musicality.

BEST IN BOTH WORLDS
StudioLive seamlessly integrates a professional digital mixer with a complete multi-channel recording system delivering the most creative environment available for both live performance and studio music production. Take your recording studio to the gig, and have your soundman record and even enhance your shows with the power of StudioLive.

Get creative in the studio. Record with or without Fat Channel or DSP effects processing. Create mixes, loops, sound effects and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins, and completely automate your entire show using your favorite music recording and production software. StudioLive completely revolutionizes music production opening endless creative possibilities.

Powerful and Easy Digital Mixing
StudioLive features an innovative and intuitive “QuickTouch” design allowing fast access to every parameter, mix, effect, and aux, allowing quick and creative control during music production. Load and save functions are also included to create snapshots of channel settings, save effect settings, totally recalling a mix, and more. All digital mixing and effects processing is done with 32-bit floating point precision for unmatched musicality.

Fat Channel
(EQ, Compressor, Limiter, Gate, on every channel)
The heart of StudioLive is the “Fat Channel” engaged by pressing any “select” button, and features extensive equalization and dynamics available to every input channel, every aux output, every subgroup output, and main output. High pass filter, and four-band semi-parametric equalization algorithms are based on PreSonus’ custom-designed digital EyeQ™ equalizer, delivering extremely musical results. Also included in the Fat Channel are compressors, limiters and gates modeled after PreSonus’ award-winning ACP88 for complete dynamics control.

DSP Effects
Two programmable 32-bit stereo DSP effects engines are loaded in StudioLive with a wide range of reverbs, delays, and time-based effects with easy to use parameter adjustment, tap tempo, store, recall, and scene selection for ultimate creative flexibility.

Load and Save Your Settings
StudioLive allows you to save all of your digital settings for quick setup and recall. Save “scenes” (all settings), channel strips (Fat Channel), and individual DSP effects for ultimate ease, quickness and control.

Professional Sound Quality
StudioLive spares no expense when it comes to sound quality. All digital mixing is done with ultra high headroom 32-bit floating point processing for optimal sonic performance. Analog input and output is converted to digital audio with the highest-quality digital converters available delivering dynamic range of +118dB for spectacular sonic results and unmatched musicality.

Built-in 22X18 FireWire Recording
StudioLive includes PreSonus’ award-winning FireWire technology with JetPLL™ synchronization delivering 22 channels of recording and 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre or post Fat-Channel signal processing giving total flexibility and power. StudioLive can also return 18 FireWire playback channels from your recording and production software for remixing and live performance with pre-recorded tracks, as well as studio mixing using the mixer’s internal signal processing and summing algorithms. StudioLive is compatible with Mac and Windows audio recording and production software including Logic, Nuendo, Cubase, Sonar, Digital Performer, Audition and more.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

volta/back-
volta marcas

 

Vídeo - Studio Live Pelo IPAD

 

 

Computer System Requirements
Below are the minimum computer system requirements for your StudioLive.

Windows
  • OS: Microsoft Windows XP and Windows Vista
  • CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
  • Memory(RAM): 1 GB (more recommended)
Macintosh
  • OS: MacOS X 10.4.x or later (10.5 supported with driver update)
  • CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
  • Memory(RAM): 1 GB (more recommended)
Windows and Macintosh Systems
  • IEEE 1394 FireWire 400 Port
  • Internet connection
  • DVD-ROM drive
  • Internal or external 7200RPM storage drive is highly recommended
Microphone Preamp 1-16 (XLR Balanced)
Type XLR Female, Balanced
Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5dBu
Frequency Response to Main Output 20 Hz to 20 kHz ±0.5dBu
Input Impedance (Balanced) 1 Ohm
THD to Direct Output < 0.005%, +4dBu, 20-20kHz, unity gain, unwtd
THD to Main Output) <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd,, +130 dB A-wtd
S/N Ratio to Direct Output -97 dB
S/N Ratio to Main Output -94 dB
Common Mode Rejection Ratio +65 dB
Gain Control Range -16 dB to +67 dB (+/- 1 dB)
Maximum Input Level (unity gain) +16 dBu
Phantom Power +48 VDC
Line Inputs
Type 1/4" TRS Female, balanced mono
Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs 20-20 kHz, +/- 0.5 dBu
Input Impedance

10 kΩ

THD to Direct Output <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output -105 dB
S/N Ratio to Main Output -94 dB
Gain Control Range -20 dB to +20 dB (+/- 1 dB)
Maximum Input level (unity gain) +22 dBu
Tape Inputs
Type 1/4” TRS Female, balanced mono
Maximum Input Level +22 dBu

Auxiliary Inputs

Type 1/4” TRS Female, balanced (2 stereo pairs)
Maximum Input Level +22 dBu
Main Outputs
Type Male, balanced (stereo pair); 1/4” TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level +24 dBu
Output Impedance 10 kΩ
Aux Outputs
Type 1/4” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 51 Ω

Subgroup Outputs

Type 1/4” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 51 Ω
Tape Outputs
Type RCA Female, unbalanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100 Ω
Control Room Outputs
Type 1/4” TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 51 Ω

System Cross Talk

Input to Output -90 dBu
Adjacent Channels -87 dBu
Noise Gate / Expander
Threshold Range -84 dB to 0 dB
Attack Time 0.5 ms
Release Time 0.05s to 2s
Expander Attenuation Range 2:1
Noise Gate Attenuation Range
Compressor
  Threshold Range -56 dB to 0 dB
  Ratio 1:1 to 14:1
  Attack Time 0.2 ms to 150 ms
  Release Time 40 ms to 1000 ms
  Auto Attack and Release Attack = 10 ms, Release = 150 ms
  Curve Types hard and soft knee
EQ
  Type 2nd order shelving filter (Q = 0.55)
  Low (Lowpass or Bandpass) 36 to 465 Hz, ± 15 dB
  Low Mid 90 Hz to 1.2 kHz, ±15 dB
  High Mid 380 Hz to 5 kHz, ±15 dB
  High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
Digital Audio
  ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
  DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
  FireWire S400, 400Mb/s
  Internal Processing 32-bit, floating point
  Sampling Rate 44.1, 48 kHz
  A/D/A Bit Depth 24
  Reference Level for 0 dBFS -18 dBu
Clock
  Jitter <20 ps RMS (20 Hz - 20 kHz)
  Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)
Power
  Connector IEC
  Input-Voltage Range 90 to 240 VAC (factory-configured for country of destination)
  Power Requirements (continuous) 100 W
Physical
  Length 22.35 inches (568.06 mm)
  Width (chassis only) 17.22 inches (437.40 mm)
  Width (with rack ears) 19 inches (482.60 mm)
Maximum Height 6.90 inches (175.26 mm)
Weight 23 lbs.

 

 


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